Questions
Questions
Trace the element of with and humour in the importance of being earnest
summery :
Jack Worthing, the play’s protagonist, is a
pillar of the community in Hertfordshire, where he is guardian to Cecily Cardew, the pretty, eighteen-year-old
granddaughter of the late Thomas Cardew, who found and adopted Jack when he was
a baby. In Hertfordshire, Jack has responsibilities: he is a major landowner
and justice of the peace, with tenants, farmers, and a number of servants and
other employees all dependent on him. For years, he has also pretended to have
an irresponsible black-sheep brother named Ernest who leads a scandalous life
in pursuit of pleasure and is always getting into trouble of a sort that
requires Jack to rush grimly off to his assistance. In fact, Ernest is merely
Jack’s alibi, a phantom that allows him to disappear for days at a time and do
as he likes. No one but Jack knows that he himself is Ernest. Ernest is the
name Jack goes by in London, which is where he really goes on these
occasions—probably to pursue the very sort of behavior he pretends to
disapprove of in his imaginary brother.
Jack is in love with Gwendolen Fairfax, the cousin of his best friend, Algernon Moncrieff. When the play opens, Algernon,
who knows Jack as Ernest, has begun to suspect something, having found an
inscription inside Jack’s cigarette case addressed to “Uncle Jack” from someone
who refers to herself as “little Cecily.” Algernon suspects that Jack may be
leading a double life, a practice he seems to regard as commonplace and
indispensable to modern life. He calls a person who leads a double life a
“Bunburyist,” after a nonexistent friend he pretends to have, a chronic invalid
named Bunbury, to whose deathbed he is forever being summoned whenever he wants
to get out of some tiresome social obligation.
At the beginning of Act I, Jack drops in unexpectedly on Algernon and
announces that he intends to propose to Gwendolen. Algernon confronts him with
the cigarette case and forces him to come clean, demanding to know who “Jack”
and “Cecily” are. Jack confesses that his name isn’t really Ernest and that
Cecily is his ward, a responsibility imposed on him by his adoptive father’s
will. Jack also tells Algernon about his fictional brother. Jack says he’s been
thinking of killing off this fake brother, since Cecily has been showing too
active an interest in him. Without meaning to, Jack describes Cecily in terms
that catch Algernon’s attention and make him even more interested in her than
he is already.
Gwendolen and her mother, Lady Bracknell, arrive, which gives Jack an
opportunity to propose to Gwendolen. Jack is delighted to discover that
Gwendolen returns his affections, but he is alarmed to learn that Gwendolen is
fixated on the name Ernest, which she says “inspires absolute confidence.”
Gwendolen makes clear that she would not consider marrying a man who was not named
Ernest.
Lady Bracknell interviews Jack to determine his eligibility as a
possible son-in-law, and during this interview she asks about his family
background. When Jack explains that he has no idea who his parents were and
that he was found, by the man who adopted him, in a handbag in the cloakroom at
Victoria Station, Lady Bracknell is scandalized. She forbids the match between
Jack and Gwendolen and sweeps out of the house.
In Act II, Algernon shows up at Jack’s country estate posing as Jack’s
brother Ernest. Meanwhile, Jack, having decided that Ernest has outlived his
usefulness, arrives home in deep mourning, full of a story about Ernest having
died suddenly in Paris. He is enraged to find Algernon there masquerading as
Ernest but has to go along with the charade. If he doesn’t, his own lies and
deceptions will be revealed.
While Jack changes out of his mourning clothes, Algernon, who has fallen
hopelessly in love with Cecily, asks her to marry him. He is surprised to
discover that Cecily already considers that they are engaged, and he is charmed
when she reveals that her fascination with “Uncle Jack’s brother” led her to
invent an elaborate romance between herself and him several months ago.
Algernon is less enchanted to learn that part of Cecily’s interest in him
derives from the name Ernest, which, unconsciously echoing Gwendolen, she says
“inspires absolute confidence.”
Algernon goes off in search of Dr. Chasuble, the local rector, to see
about getting himself christened Ernest. Meanwhile, Gwendolen arrives, having
decided to pay Jack an unexpected visit. Gwendolen is shown into the garden,
where Cecily orders tea and attempts to play hostess. Cecily has no idea how
Gwendolen figures into Jack’s life, and Gwendolen, for her part, has no idea
who Cecily is. Gwendolen initially thinks Cecily is a visitor to the Manor
House and is disconcerted to learn that Cecily is “Mr. Worthing’s ward.” She
notes that Ernest has never mentioned having a ward, and Cecily explains that
it is not Ernest Worthing who is her guardian but his brother
Jack and, in fact, that she is engaged to be married to Ernest Worthing.
Gwendolen points out that this is impossible as she herself is engaged to
Ernest Worthing. The tea party degenerates into a war of manners.
Jack and Algernon arrive toward the climax of this confrontation, each
having separately made arrangements with Dr. Chasuble to be christened Ernest
later that day. Each of the young ladies points out that the other has been
deceived: Cecily informs Gwendolen that her fiancé is really named Jack and
Gwendolen informs Cecily that hers is really called Algernon. The two women
demand to know where Jack’s brother Ernest is, since both of them are engaged
to be married to him. Jack is forced to admit that he has no brother and that
Ernest is a complete fiction. Both women are shocked and furious, and they
retire to the house arm in arm.
Act III takes place in the drawing room of the Manor House, where Cecily
and Gwendolen have retired. When Jack and Algernon enter from the garden, the
two women confront them. Cecily asks Algernon why he pretended to be her
guardian’s brother. Algernon tells her he did it in order to meet her.
Gwendolen asks Jack whether he pretended to have a brother in order to come
into London to see her as often as possible, and she interprets his evasive
reply as an affirmation. The women are somewhat appeased but still concerned
over the issue of the name. However, when Jack and Algernon tell Gwendolen and
Cecily that they have both made arrangements to be christened Ernest that
afternoon, all is forgiven and the two pairs of lovers embrace. At this moment,
Lady Bracknell’s arrival is announced.
Lady Bracknell has followed Gwendolen from London, having bribed
Gwendolen’s maid to reveal her destination. She demands to know what is going
on. Gwendolen again informs Lady Bracknell of her engagement to Jack, and Lady
Bracknell reiterates that a union between them is out of the question. Algernon
tells Lady Bracknell of his engagement to Cecily, prompting her to inspect
Cecily and inquire into her social connections, which she does in a routine and
patronizing manner that infuriates Jack. He replies to all her questions with a
mixture of civility and sarcasm, withholding until the last possible moment the
information that Cecily is actually worth a great deal of money and stands to
inherit still more when she comes of age. At this, Lady Bracknell becomes
genuinely interested.
Jack informs Lady Bracknell that, as Cecily’s legal guardian, he refuses
to give his consent to her union with Algernon. Lady Bracknell suggests that
the two young people simply wait until Cecily comes of age, and Jack points out
that under the terms of her grandfather’s will, Cecily does not legally come of
age until she is thirty-five. Lady Bracknell asks Jack to reconsider, and he
points out that the matter is entirely in her own hands. As soon as she consents
to his marriage to Gwendolen, Cecily can have his consent to marry Algernon.
However, Lady Bracknell refuses to entertain the notion. She and Gwendolen are
on the point of leaving when Dr. Chasuble arrives and happens to mention
Cecily’s governess, Miss Prism. At this, Lady Bracknell starts and asks that
Miss Prism be sent for.
When the governess arrives and catches sight of Lady Bracknell, she
begins to look guilty and furtive. Lady Bracknell accuses her of having left
her sister’s house twenty-eight years before with a baby and never returned.
She demands to know where the baby is. Miss Prism confesses she doesn’t know,
explaining that she lost the baby, having absentmindedly placed it in a handbag
in which she had meant to place the manuscript for a novel she had written.
Jack asks what happened to the bag, and Miss Prism says she left it in the
cloakroom of a railway station. Jack presses her for further details and goes
racing offstage, returning a few moments later with a large handbag. When Miss
Prism confirms that the bag is hers, Jack throws himself on her with a cry of
“Mother!” It takes a while before the situation is sorted out, but before too
long we understand that Jack is not the illegitimate child of Miss Prism but
the legitimate child of Lady Bracknell’s sister and, therefore, Algernon’s
older brother. Furthermore, Jack had been originally christened “Ernest John.”
All these years Jack has unwittingly been telling the truth: Ernest is his
name, as is Jack, and he does have an unprincipled younger brother—Algernon.
Again the couples embrace, Miss Prism and Dr. Chasuble follow suit, and Jack
acknowledges that he now understands “the vital Importance of Being Earnest.
summery :
Jack Worthing, the play’s protagonist, is a pillar of the community in Hertfordshire, where he is guardian to Cecily Cardew, the pretty, eighteen-year-old granddaughter of the late Thomas Cardew, who found and adopted Jack when he was a baby. In Hertfordshire, Jack has responsibilities: he is a major landowner and justice of the peace, with tenants, farmers, and a number of servants and other employees all dependent on him. For years, he has also pretended to have an irresponsible black-sheep brother named Ernest who leads a scandalous life in pursuit of pleasure and is always getting into trouble of a sort that requires Jack to rush grimly off to his assistance. In fact, Ernest is merely Jack’s alibi, a phantom that allows him to disappear for days at a time and do as he likes. No one but Jack knows that he himself is Ernest. Ernest is the name Jack goes by in London, which is where he really goes on these occasions—probably to pursue the very sort of behavior he pretends to disapprove of in his imaginary brother.
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