Death of a Naturalist' is concerned with growing up and loss of innocence. The poet vividly describes a childhood experience that precipitates a change in the boy from the receptive and protected innocence of childhood to the fear and uncertainty of adolescence.
Haney organizes his poem in two sections, corresponding to the change in the boy. By showing that this change is linked with education and learning, Haney is concerned with the inevitability of the progression from innocence to experience, concerned with the transformation from the unquestioning child to the reflective adult.
The poem is set out in two sections of blank verse (rhymed iambic pentameter lines).
The poem opens with an evocation of a summer landscape which has the immediacy of an actual childhood experience. There is also a sense of exploration in ?in the heart/Of the town land,? which is consistent with the idea of learning and exploration inevitably leading to discovery and the troubled awareness of experience. To achieve this Haney not only recreates the atmosphere of the flax-dam with accuracy and authenticity, but the diction is carefully chosen to create the effect of childlike innocence and naivety. The child?s natural speaking voice comes across in line 8, ?But best of all?. The vividness of his description is achieved through Haney use of images loaded with words that lengthen the vowels and have a certain weightiness in their consonants,
Death of a Naturalist' is concerned with growing up and loss of innocence. The poet vividly describes a childhood experience that precipitates a change in the boy from the receptive and protected innocence of childhood to the fear and uncertainty of adolescence.
Haney organizes his poem in two sections, corresponding to the change in the boy. By showing that this change is linked with education and learning, Haney is concerned with the inevitability of the progression from innocence to experience, concerned with the transformation from the unquestioning child to the reflective adult.
The poem is set out in two sections of blank verse (rhymed iambic pentameter lines).
The poem opens with an evocation of a summer landscape which has the immediacy of an actual childhood experience. There is also a sense of exploration in ?in the heart/Of the town land,? which is consistent with the idea of learning and exploration inevitably leading to discovery and the troubled awareness of experience. To achieve this Haney not only recreates the atmosphere of the flax-dam with accuracy and authenticity, but the diction is carefully chosen to create the effect of childlike innocence and naivety. The child?s natural speaking voice comes across in line 8, ?But best of all?. The vividness of his description is achieved through Haney use of images loaded with words that lengthen the vowels and have a certain weightiness in their consonants,
Haney organizes his poem in two sections, corresponding to the change in the boy. By showing that this change is linked with education and learning, Haney is concerned with the inevitability of the progression from innocence to experience, concerned with the transformation from the unquestioning child to the reflective adult.
The poem is set out in two sections of blank verse (rhymed iambic pentameter lines).
The poem opens with an evocation of a summer landscape which has the immediacy of an actual childhood experience. There is also a sense of exploration in ?in the heart/Of the town land,? which is consistent with the idea of learning and exploration inevitably leading to discovery and the troubled awareness of experience. To achieve this Haney not only recreates the atmosphere of the flax-dam with accuracy and authenticity, but the diction is carefully chosen to create the effect of childlike innocence and naivety. The child?s natural speaking voice comes across in line 8, ?But best of all?. The vividness of his description is achieved through Haney use of images loaded with words that lengthen the vowels and have a certain weightiness in their consonants,
Death of a Naturalist' is concerned with growing up and loss of innocence. The poet vividly describes a childhood experience that precipitates a change in the boy from the receptive and protected innocence of childhood to the fear and uncertainty of adolescence.
Haney organizes his poem in two sections, corresponding to the change in the boy. By showing that this change is linked with education and learning, Haney is concerned with the inevitability of the progression from innocence to experience, concerned with the transformation from the unquestioning child to the reflective adult.
The poem is set out in two sections of blank verse (rhymed iambic pentameter lines).
The poem opens with an evocation of a summer landscape which has the immediacy of an actual childhood experience. There is also a sense of exploration in ?in the heart/Of the town land,? which is consistent with the idea of learning and exploration inevitably leading to discovery and the troubled awareness of experience. To achieve this Haney not only recreates the atmosphere of the flax-dam with accuracy and authenticity, but the diction is carefully chosen to create the effect of childlike innocence and naivety. The child?s natural speaking voice comes across in line 8, ?But best of all?. The vividness of his description is achieved through Haney use of images loaded with words that lengthen the vowels and have a certain weightiness in their consonants,
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